The Age of Enlightenment had yet to begin and it would be well over a century until revolution touched off in France. Ruled by a traditionalist monarchy and a corrupt state church, the country was still very much stuck in the dark ages throughout the Early Modern period. The
Catholic Church dominated nearly all areas of social, political and economic
life, and nowhere was the iron grip of "divine authority" felt
stronger than by the rural peasantry.
As the largest single property owner in France,
the Church controlled nearly 40% of the country's wealth – much of which accrued through a heavy taxation on the peasantry and
the confiscation of lands. Upper Church officials mostly came from old
nobility provincial and royal court families, and they maintained a lavish and decadent lifestyle
(“by the will of God”) while the poorest
segments of rural society struggled daily against debt,
eviction, poverty, malnutrition and premature death.
In the face of such a bleak and unjust state of
affairs, what’s a downtrodden peasant to do?
THE
ORIGINS OF WITCHCRAFT IN FRANCE
“The witches were a vast political movement, an organized society, which was anti-social and anarchical, a world wide plot against civilizations.” – Montague Summers (1928 preface to the Malleus Maleficarum)
The
history of witchcraft reaches back to ancient times. But it wasn’t
until the later Middle Ages that witches ceased to be “cunning
folk” who were sought out for medicinal aid or prophetic advice and
became the devil’s foot soldiers in an all-out war against Christian morality and
virtue.
By
the 13th century witch gatherings were said to be taking place
nightly in wooded areas throughout the countryside, drawing crowds
numbering in the hundreds and thousands (Pierre de Lancre, a leading French demonologist, spoke of nocturnal meetings that brought together
“some 100,000 devotees of Satan”).1 People couldn’t line up fast enough to
pledge their oaths to the Devil at these nocturnal ceremonies, which were said to be followed by cannibalistic feasts and mass orgies. Once
aligned with the forces of darkness a witch could, on their own or
with the Devil acting through them, wield supernatural powers against
person and property alike. They were responsible for everything from
infertility, demonic possession and family misfortune to unexplained storms, crop
failures, arson, plague outbreaks, attacks on livestock and unexplained deaths.2
This
was the basic image that was burned into the public consciousness,
and the propaganda used to create a climate of mass panic where
‘witches’ could be hunted down ruthlessly and put to the stake and
extend the power and influence of the Church deep into
the countryside.
Between
the mid 16th
and 17th
centuries France's witch-hunt was at its height: forty witches were
burned at Toulouse in 1557, four at Poitiers in 1568, and eighteen at
Avignon in 1582. In Lorraine, some nine-hundred witches were
condemned and executed between 1581-91. In Normandy there were
witch-hunts between 1589-1594 (and again between 1600-1645).3 On the French Basque Coast entire communities were said
to be taken over by witches, resulting in a succession of mass trials
and executions between 1576-1605 that ended with nearly nine-hundred
witches being put to the stake4. And the largest witch hunt in French history took place between
1643-1645, with 650 witches arrested in Languedoc (a province with strong heretical traditions that trace back to early medieval times) alone.
All
told, nearly six thousand people were executed for the
crimes of witchcraft and heresy in France.5 The highest concentration of trials took place in the
mountainous border areas, and the accused were disproportionately
women from the poorest segments of society. Much
debate has gone into the complicated set of circumstances that led to
this bloody chapter in history. But it can’t be denied that, at its
most basic level, the witch-hunts were a brutal form of social
control used to keep oppressed – and potentially rebellious – populations in line.6
Throughout this period, church authorities demonized heretical beliefs, pagan folk practices, independent women and rebellious communities – a campaign that was successful both figuratively, and literally. It is very likely that the propaganda around these witch trials may have had the unintended effect of stimulating the activities they were intended to suppress. Upon hearing the details of devil worship and ritual practice publicized in the confessions, more people began to be attracted to the promise of the dark arts (as defined by the Church) and now had models for imitation.7 Eventually church officials began to take notice and voiced concern. After the published accounts of the 1612 possessions that overtook the Brigidine Convent in Lille, members of the Paris Faculty of Theology complained that such publicity was "deadly for the curious, the weak-minded, and the wicked".8
SYMPATHY FOR THE DEVIL
"Satan [is] the eternal rebel, the first freethinker and the emancipator of worlds. He makes man ashamed of his bestial ignorance and obedience; he emancipates him, stamps upon his brow the seal of liberty and humanity, in urging him to disobey and eat of the fruit of knowledge." – Mikhail Bakunin, God and the State
In a world where the Church dictated a life of misery, conformity and ignorance its no wonder ‘the Devil’ (as both “adversary” and “light bringer”) had such a strong attraction among the knowledge-starved and rebellious-minded. France’s Early Modern Era gave birth to what we know as “modern satanism”. Amidst the backdrop of the witch craze that swept the countryside the major works of black ritual magic –The Grimorium Verum, The Grand Grimoire and The Constitution of Honorius – first saw general distribution around this time. The convents and church institutions were rocked by a series of ‘satanic’ possessions.9 And eventually even members of the aristocracy were starting to dabble in the dark arts to advance their social positions.10 The Devil, it would seem, was gaining influence at all levels of French society. But it was the rural poor who needed him most.
Self-empowerment
has always been at the heart of black magic: the promise of elevating
mortals to the level of gods. For those living a life of bondage and
toil (with only a vague hope for a better lot in the afterlife) this
promise had immense appeal, worthy of great sacrifice and devotion. Finding no relief from their miserable lot in life through their prayers to the Christian god, many serfs looked to his opposite - the Devil - for salvation. The
Church feared as much, admitting that “the poor are more likely to turn to the
Devil to better their miserable position, rather than accepting the
lot in life assigned to them by God”.11 In
certain French border regions, torn by religious and social
instability, it was said that many peasants were “driven
to despair" and "prayed to the Devil only.”12
Others went a step further, pledging their formal allegiance to Satan through a binding pact. The first appearance of the diabolical pact in France occurred in 1335. In Toulouse, an accused witch named Anne-Marien de Georgel was convicted of having entered into a signed pact with the Devil and of attending a meeting “that was presided over by a goat who taught her secret ways to work evil.”13
Over the next hundred years this belief gained wide acceptance. Pope Eugenius IV wrote to papal inquisitors in 1437, warning them of the successes of the prince of darkness, who was gaining influence and adherents through written contract.14 In 1486, the Malleus Maleficarum (The Witches' Hammer) – the main text used by the Inquisition for the next two centuries – was first published, codifying this belief into a prosecutable offense according to heresy laws (and making it a moral obligation for Christians to hunt down and murder suspected witches).
Others went a step further, pledging their formal allegiance to Satan through a binding pact. The first appearance of the diabolical pact in France occurred in 1335. In Toulouse, an accused witch named Anne-Marien de Georgel was convicted of having entered into a signed pact with the Devil and of attending a meeting “that was presided over by a goat who taught her secret ways to work evil.”13
Over the next hundred years this belief gained wide acceptance. Pope Eugenius IV wrote to papal inquisitors in 1437, warning them of the successes of the prince of darkness, who was gaining influence and adherents through written contract.14 In 1486, the Malleus Maleficarum (The Witches' Hammer) – the main text used by the Inquisition for the next two centuries – was first published, codifying this belief into a prosecutable offense according to heresy laws (and making it a moral obligation for Christians to hunt down and murder suspected witches).
By pledging a binding oath to Satan, witches were practicing a form of heretical dissidence that challenged not only religious authority, but also that of "rulers, judges, masters of all kind." According to the Church, witchcraft subverted the very principle of law and order, "for all social relationships rested on legitimation by divine authority.”15
This was the essence of witchcraft, at least as far as the Inquisitors and demonologists were concerned. In the view of Jean Bodin, a leading 16th century French demonologist and political theorist, sects of witches represented a rebellious counter-society that sought to "divert divine power to its profit" and "overturn the natural order of religion".16 A witch wasn’t just an individual agent of malevolence in the world, but "members of an antichurch and an antistate, the sworn enemies of Christian society."17
This was the essence of witchcraft, at least as far as the Inquisitors and demonologists were concerned. In the view of Jean Bodin, a leading 16th century French demonologist and political theorist, sects of witches represented a rebellious counter-society that sought to "divert divine power to its profit" and "overturn the natural order of religion".16 A witch wasn’t just an individual agent of malevolence in the world, but "members of an antichurch and an antistate, the sworn enemies of Christian society."17
THE
WITCHES SABBAT
“Satan, literally the “adversary,” and chief supervisor of the Witches Sabbat, symbolically represents self-realization through rebellion. The celebrant utilizes rebellion as the means by which consciousness can be moved to challenge one’s own personal convictions as well as those complacencies that inhabit the conditions of the celebrant’s everyday life. [...] Through this rebellion a new possibility for self-realization emerges through an introspection of one’s most natural state and camaraderie with the daemonic agents summoned at the Witches Sabbat.“ – The Witches Sabbat, Michael Ford and Michael Riddick (Silver Star: A Journal of New Magick)
Once
someone had formally joined the witch-cult the next rites of passage
was attendance at the regular nocturnal assemblies: The Witches'
Sabbat. It was
said that these gatherings took place in isolated places, preferably
forests or remote mountainous areas, where witches would arrive via broomstick
flight or else by transforming themselves into animals. Once
assembled they paid homage to the Devil through prayer and sacrifice. This was followed by frenzied ritual
dancing (“in a circle, but always to the left”18), eventually culminating in a mass sexual
orgy of an indiscriminate nature ("the son does not spare his mother, nor the brother his sister, nor the father his daughter"19).
Some of these details, as bizarre as they seem, may have some basis in bastardized accounts of shamanic and animistic folk traditions that were rooted in the mountainous Alpine regions.20 Its said that a “devil's grease” or ointment “consisting of bat's blood, baby's fat and soot” was used by witches in their rituals which strengthened their communion with demonic forces and gave them, among other powers, the ability to fly. Such a grease may have actually existed. However, the components were more likely aconite, belladonna, opium and hashish – which gave the power of hallucination and out-of-body experience, consistent with shamanistic folk practices.21
Some
of the more sinister allegations – cannibalism, infanticide,
bestiality – were part of the standard propaganda used for centuries by the Church to discredit religious opponents (Jews, Muslims, and heretical
Christian sects). But there
was also a political – both social and sexual –
scope to this slander, which was used to criminalize the dissident practices and nonconformist beliefs held by the rural peasantry during that period. The descriptions of the Witches' Sabbat tied in elements of peasant revolt and sexual
transgression, "portrayed both as a monstrous sexual orgy and as a
subversive political gathering, [...] with the Devil
instructing the witches to rebel against their masters.”22 Its worth noting that the first descriptions of these gatherings coincided
with the mass peasant rebellions of the late 14th
century, when clandestine meetings were indeed taking place under the
cover of night and women were often the leading agitators.23
According to 19th century French historian Jules Michelet, if any such 'Sabbats' existed at all it was likely a folk gathering (going back to medieval times), "at which peasants came together at night to
perform both ancient dances and satirical farces directed against
oppressive lords and priests". But as the climate of repression
against the practitioners of these gatherings hardened, so did the
nature of the gatherings themselves.24
THE
BLACK MASS
“Under a shadowy likeness of the Devil the people worshiped none other than its own self.” – Jules Michelet, La Sorcière: The Witch of the Middle Ages
By the
17th century the reports of witches gatherings indicated
an increasingly more malevolent nature. The Black Mass had nothing of
the folk celebration, revelry and satire of the earlier Sabbats.
These were gatherings of ritual defiance where the Catholic Mass
was openly mocked and the Christian God militantly denounced: the
altar was broken and desecrated or else replaced with the body of a
naked woman; the missal bound in human skin; prayers were recited
backwards; holy symbols were spit on or trampled under foot; wine was
replaced by water, blood or urine; and the host replaced with a rotten turnip
or leather from a black boot.
But
even these rituals were not without social purpose. The participants "called loudly upon the Devil, 'master
of serfs', to save them". The boot and the turnip were
considered a symbolic protest against the declining standard of living. The Devil was worshipped as the adversary of "the oppressor's God," who was sympathetic to the plight of the poor.25
In addition to salvation appeals, these rituals were also used in the witch's struggle against their worldly enemies. The practice of maleficia – the use of curse, conjuration and enchantment for vengeful purposes – was another aspect of the black mass.
In addition to salvation appeals, these rituals were also used in the witch's struggle against their worldly enemies. The practice of maleficia – the use of curse, conjuration and enchantment for vengeful purposes – was another aspect of the black mass.
One
example, which came to be known as the Mass of Saint-Sécaire,
originated in the Gascony region. It was said to be performed in an
abandoned church by a corrupt priest, with only his lover as
attendant. He would begin to recite the Christian Mass backwards,
being sure to finish at precisely the last stroke of midnight. A
rotten turnip slice cut into a triangle acted as the host, and the
“consecrated wine” was water from a well in which an unbaptized
infant had been drowned. At the end of the mass the officiant would
pronounce the name of the victim whom the ritual was directed against
and they would die a slow and lingering death.26
There was also the “blessing” of nails stolen from an unearthed
coffin, which were later driven into the footprint of an enemy while
reciting in Latin ‘Pater noster upto in terra’ (‘Our father who
art on earth,’ not heaven) to cripple or maim them. Waxen effigies, which were made for use in various cursing
rituals to cause misfortune, sickness or death. And the power of the
Mauvis
Oeil (Evil
Eye), which was granted to the devoted patrons of the black arts, giving a
witch the ability to cast spells with a simple glance of the eye.27
However, if evoking the Devil to conjure magical powers or enact a hex failed to
achieve the desired result, a witch could always to turn to less
supernatural means: sabotage and poison.
BURNING
FIELDS AND POISONED WELLS
"And ye shall be freed from slavery, and so shall be free in everything [...] and the last of your oppressors shall be dead.” – Charles Leland, Aradia:The Gospel of Witches
Of the
many crimes attributed to witches, crop destruction and unexplained
sickness or death were the most common. Much of this can be
attributed to natural causes, with "witches" providing an easy
scapegoat for the superstitiously minded. But its not outside of the
realm of possibility to suggest that sabotage and poison – the
age-old weapons of vengeance for the disempowered – were also
employed on occasion.
The
French countryside has a long tradition of peasant revolt that has
manifested itself in both open protest (there were literally hundreds
of uprisings – from isolated food riots to major rebellions –
during this period28)
and conspiratorial resistance. Various means of “agrarian
terrorism” were used against exploitative landowners, with
cattle-maiming and crop-burning being some of the more popular
tactics of the time. In fact the word sabotage
itself has French origins and literally means “to clatter with
sabots (wooden shoes)”, referring to peasants trampling crops as a
form of protest.
Fields and vineyards were set ablaze from time to time, the arson often claimed to be the work of the witch. According to popular superstition, the Devil's agents also had the ability to “destroy the fruits of the fields […] with unusual thunder, lightning, showers, hail, storm winds, frost, flooding, mice, worms and many other things, […] causing them to rot in the fields.”29 Or else, “witches [...] filled the skin of a cat with assorted vegetable matter, put it in a spring for a period of three days, and then to dry and grind the mixture. On a windy day they go up a mountain and scatter the powder across the land as a sacrifice to the Devil, who in return for their offering will destroy the crops."30 Lye or salt could have also been sown into the soil directly.
Fields and vineyards were set ablaze from time to time, the arson often claimed to be the work of the witch. According to popular superstition, the Devil's agents also had the ability to “destroy the fruits of the fields […] with unusual thunder, lightning, showers, hail, storm winds, frost, flooding, mice, worms and many other things, […] causing them to rot in the fields.”29 Or else, “witches [...] filled the skin of a cat with assorted vegetable matter, put it in a spring for a period of three days, and then to dry and grind the mixture. On a windy day they go up a mountain and scatter the powder across the land as a sacrifice to the Devil, who in return for their offering will destroy the crops."30 Lye or salt could have also been sown into the soil directly.
Conspiracies involving poison or the spreading of disease were very much in the public mind during this period. Like
the Jews before them, witches were often accused of poisoning wells to spread sickness and death in Christian
communities. This was obviously recycled slander used
by Church authorities against earlier perceived threats, all the more
effective in a fearful age where plague epidemic was still a recent
memory. But that doesn't rule out the use of poisons
entirely.
It
was said that the Devil advised witches in the production and use of
pousset
– a diabolical substance used to sicken or kill animals and people.31 The recipe could contain any number
of bizarre ingredients, depending on who was tortured into
confessing to its manufacture. Its probably safe to say that toad's
saliva or the rendered flesh of an unbaptized infant wouldn't add
much to the potency or effectiveness of these potions and powders.
But arsenic would.
Arsenic
was readily available and, administered in large doses, would produce
symptoms that resembled those of cholera, dysentery or plague – fever,
diarrhea, vomiting, convulsions, delirium, coma – and eventually
result in death.32 Additionally
the witch's arsenal could include a variety of other herbal toxins
obtained from “the devil's garden”: Hemlock, which caused
paralysis of various body systems; Belladonna and Mandrake Root could
inflict delirium and hallucinations; Hensbane could induce
drowsiness, and in large doses, coma; and Aconite (aka Wolfsbane)
“applied to a wounded finger could affect the whole system, not
only causing pains in the limbs, but a sense of suffocation and
syncope”.33
Many
of these symptoms correspond with the acts of maleficia
reported to have stricken humans and livestock. In The Compendium Maleficarum, an Italian witch-hunter's manual written in 1608, its claimed that
“the sickness with which the bewitched suffer are most often a
wasting or emaciation of the whole body and loss of strength, with a
deep languor, dullness of the mind, various melancholy ravings,
different kinds of fever; […] convulsive movements like an
epileptic; a sort of rigidity of the limbs; sometimes the whole head
swells; or such a lassitude pervades the whole body that they can
hardly move at all; […] some lose their appetite, and some vomit
their food and are so upset in the stomach that they are often
constricted in pain.”34
The
French-speaking border region of Switzerland was shaken by a plague
panic throughout the mid-16th
century.35 Witches were accused of conspiring to anoint doors
and windows of various homes with a “grease made from
plague-infected matter”. During
a witch trial that took place outside of Neuchâtel
in 1583,
two women confessed to having been provided with herbs by the Devil
“to make a grease to rub on windows and doors so that people would
die when they touched it.”36 In 1590, the French demonologist Jean Bodin reported a confession made by a suspected witch who claimed to have buried a jar containing a toad, a consecrated host, and various magical powders "beneath the doorway of a sheepfold while uttering some words [...] in order to make the flock die."37 And in
the province of Berry, in central France, it was said that witches
wore the skins of wolves or wild boars and roamed the country-side
poisoning cattle.38
The
most famous and well-documented diabolical poisoning conspiracy was
the L'affaire
des Poisons (The Affair of Poisons),
a major murder scandal that took place in Paris between 1677-1682,
during the reign of King Louis XIV.39
Catherine Deshayes (aka 'La Voisin'), a practicing sorceress from a peasant background, was at the center of a 'criminal magical underworld' that operated in Paris and Versailles at the time. La Voisin's services – which ranged from abortions to love magic to poisons known as "inheritance powders" – were sought out by influential members of the French aristocracy. Her most important client was Madame de Montespan, the official royal mistress to the king. Black masses and other services were provided for Montespan in order to maintain her social position and eliminate competing foes within the king's court. Eventually King Louis XIV himself became the planned victim for poisoning when the Madame fell out of favor with him. La Voisin, along with thirty-five accomplices, was tried and executed for the crimes of witchcraft and attempted regicide. She was publicly burned on the Place de Grève in Paris in 1680.
Catherine Deshayes (aka 'La Voisin'), a practicing sorceress from a peasant background, was at the center of a 'criminal magical underworld' that operated in Paris and Versailles at the time. La Voisin's services – which ranged from abortions to love magic to poisons known as "inheritance powders" – were sought out by influential members of the French aristocracy. Her most important client was Madame de Montespan, the official royal mistress to the king. Black masses and other services were provided for Montespan in order to maintain her social position and eliminate competing foes within the king's court. Eventually King Louis XIV himself became the planned victim for poisoning when the Madame fell out of favor with him. La Voisin, along with thirty-five accomplices, was tried and executed for the crimes of witchcraft and attempted regicide. She was publicly burned on the Place de Grève in Paris in 1680.
CONCLUSION
“He who affirms the Devil creates or makes the Devil.” – Eliphas Levi, Le Ritual le Haute Magie
The Devil is a manifestation conjured from the depths of human consciousness. An archetype of rebellion. The embodiment of “evil” as defined by the dominant status quo. The flame that lights the path of knowledge and self-empowerment through a world darkened by social and religious enslavement. The “master of serfs” who, once evoked, has the ability to turn the world upside down.
By the
18th century progressive social changes were taking place
across Europe and the witch-craze that afflicted France, and much of
the continent, had more or less died down. The mass witch hunts ended
with the edict of Louis XIV in 1682, and the last French execution
for heresy was in 1745. The forces of Church and State had also
largely reigned in ("Christianized") the remote and rebellious rural areas,
extinguishing the spirit of defiant social autonomy carried over from
the Middle Ages and earlier times. Devil worship and black magic
practices ceased to be rooted in the pagan folk traditions, heretical
teachings and popular superstitions of the countryside and instead
became the dark plaything of urban bourgeois circles.
It
will never be known to what extent accused witches and heretics
actually participated in a culture of Devil worship and ritual black
magic during France's Early Modern Period. But there is enough
testimony (most coerced, some not) and physical evidence to suggest
that at least some diabolical practices were taking place among the
peasantry during this time. And
why not? If a
ruling theocratic order that kept you in crushing servitude was under
threat of being overthrown by “a secret, conspiratorial body organized and
headed by Satan,”40 wouldn’t you join?
1 Jeremy Kingston, Witches and Withcraft (London: Aldus Books Ltd, 1977), 40.
2 Richard M. Golden, Encyclopedia of Witchcraft: The Western Tradition, Vol. 4 (Santa Barbara: ABC-CLIO, 2004), 978.
3 Richard Cavendish, "French Witchcraft," in Man, Myth and Magic: An Illustrated Encyclopedia of the Supernatural, Vol. 8 (Singapore: Marshall Cavendish Corp, 1970), 1046-47.
4 J.C. Barola, "Basque Witchcraft," in Man, Myth and Magic: An Illustrated Encyclopedia of the Supernatural, Vol. 2 (Singapore: Marshall Cavendish Corp, 1970), 224.
5 "Estimates of Executions," based on Ronald Hutton's essay Counting the Witch Hunt. http://www.summerlands.com/crossroads/remembrance/current.htm.
6 Lady Stardust, Burning Women: The European Witch Hunts, Enclosure and the Rise of Capitalism (London: Past Tense, 2010), 3.
7 Richard Cavendish, The Black Arts: A Concise History of Witchcraft, Demonology, Astrology, Alchemy and other Mystical Practices Throughout the Ages (New York: Penguin Group, 1983), 288.
8 Kathryn Edwards, Werewolves, Witches, and Wandering Spirits: Traditional Belief and Folklore in Early Modern Europe (Kirksville, MO: Truman State University, 2002), 63.
9 Sarah Ferber, Demonic Possession and Exorcism in Early Modern France (London: Routledge, 2004).
10 Lynn Wood Mollenauer, Strange Revelations: Magic, Poison, and Sacrilege in Louis XIV's France (University Park, PA: University of Pennsylvania, 2006).
11 William E. Burns, Witch Hunts in Europe and America: An Encyclopedia (Westport, CT: Greenwood Press, 2003), 279.
12 Jules Michelet, La Sorcière: The Witch of the Middle Ages (Calgary: Theopania Publishing, 2011), 204.
13 Cavendish, "French Witchcraft," Man, Myth and Magic, 1043.
14 Stephen Mitchell, Witchcraft and Magic in the Nordic Middle Ages (University Park, PA: University of Pennsylvania Press, 2013), 120.
15 Joseph Klaits, Servants of Satan: The Age of the Witch Hunts (Bloomington: Indiana University Press, 1987), 134.
16 Edwards, 152.
17 Jeffrey Burton Russell, "Witchcraft: The Witch Hunts," Encyclopedia Brittanica. https://www.britannica.com/topic/witchcraft.
18 Russell Hope Robbins, The Encyclopedia of Witchcraft and Demonology (New York: Crown Publishers, 1959), 421.
19 Henri Boguet, An Examen of Witches (Mineola, NY: Dover Publications, 2009), 55-60.
20 Carlo Ginzburg, Ecstasies: Deciphering the Witches' Sabbath (New York: Random House, 1991).
21 Kingston, 36.
22 Silvia Federici, Caliban and the Witch: Women, the Body and Primitive Accumulation (New York: Autonomedia, 2004), 177.
23 E. William Monter, Witchcraft in France and Switzerland: The Borderlands During the Reformation (Ithaca, NY: Cornell University Press, 1976), 18.
24 Michelet, 79-85.
25 H.T.F. Rhodes, "Black Mass," in Man, Myth & Magic: An Illustrated Encyclopedia of the Supernatural, Vol. 2 (Singapore: Marshall Cavendish Corp, 1970), 274.
26 Robert Masello, Raising Hell: A Concise History of the Black Arts and Those Who Dared to Practice Them (New York: Penguin Putnam, 1996), 47.
27 Masello, 43.
28 Yves-Marie Bercé, History of Peasant Revolts: The Social Origins of Rebellion in Early Modern France (Ithaca, NY: Cornell University Press, 1990).
29 Wolfgang Behringer, "Weather, Hunger and Fear. The Origins of the European Witch Persecution in Climate, Society and Mentality," in The Witchcraft Reader, ed. Darren Oldridge (London: Routledge, 2002), 72.
30 Richard Kieckhefer, Magic in the Middle Ages (Cambridge, UK: Cambridge University Press, 2000),195-196.
31 Monter, 109-111.
32 Mollenauer, 92.
33 Sarah Woodbury, "Medieval Poisons," Web. http://www.sarahwoodbury.com/medieval-poisons.
34 Francesco-Maria Guazzo, The Compendium Maleficarum (Eastford, CT: Martino Fine Books, 2011).
35 William G. Naphy, Plagues, Poisons and Potions: Plague-Spreading Conspiracies in the Western Alps, 1530-1640 (Manchester, UK: Manchester University Press, 2002).
36 Monter, 94.
37 Darren Oldridge, Strange Histories: The Trial of the Pig, the Walking Dead, and other Matter of Fact from the Medieval and Renaissance Worlds (London: Routledge, 2004), 79-80.
38 Karen Morfu, "Witch Hunting in Berrichonne," True Ghost Tales, Web. https://www.trueghosttales.com/paranormal/witch-hunting-in-berrichonne.
39 Mollenauer.
40 Pope Innocent VIII, Summis Desiderantes Affectibus, aka “The Witch-Bull" (1484), Wikisource, Web. https://en.wikisource.org/wiki/Summis_desiderantes.
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